There’s something hauntingly intimate about the quiet moments before dawn, when echoes of old loves linger like half-remembered dreams, pulling you back into the what-ifs. Nick Jonas taps into that spectral pull with “Seeing Ghosts,” a shimmering cut from his upcoming Sunday Best that’s already stirring whispers in late-night listening sessions. Drawing from snippets shared on his IG broadcast channel—lines like “I’m seeing ghosts” and vows to “take my soul out of my body for you”—it’s a raw plea wrapped in retro soul, evoking the kind of devotion that transcends the physical. For fans chasing that elusive mix of vulnerability and velvet vocals, this track feels like a long-awaited confession from the pop prince who’s always worn his heart on his sleeve.
| Lead Vocals | Nick Jonas |
| Songwriter | Nick Jonas |
| Music Producer | [TBA] |
| Label | Universal Music Group |
| Release Date | February 6, 2026 |
| Song Language | English |
| Copyright © | Republic Records |
| Phonographic Copyright ℗ | Republic Records |
Lyrics of Seeing Ghosts by Nick Jonas
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About “Seeing Ghosts by Nick Jonas”
Nick Jonas conjures spectral romance in “Seeing Ghosts,” a Motown-kissed reverie where past flames flicker like fireflies—tender, timeless, and teasing the edges of transcendence.
At its essence, “Seeing Ghosts” is a love letter laced with longing, blending themes of spectral attachment and selfless surrender over a groove that nods to Motown’s golden era—think lush strings, finger-snaps, and a bassline that sways like a slow dance in a dimly lit hall. The mood? Ethereal yet earthy, a blend of pop polish and soulful ache that builds from introspective verses to a chorus that swells with emotional gravity. Production-wise, it’s Jonas at his most collaborative, layering his signature falsetto with subtle electronic whispers, creating a sound that’s both nostalgic and forward-leaning, perfect for those endless replay loops.
Sunday Best, Jonas’s fourth solo studio album and his first full-length outing in nearly five years, arrives as a sonic diary of unguarded truths—11 tracks unpacking fame’s glitter alongside personal reckonings, from heartbreak’s haze to hope’s quiet dawn. The project’s artistic heartbeat? A return to roots with a twist, channeling Motown’s communal warmth into modern confessions, as if Jonas is inviting listeners to church on a lazy afternoon. Standouts like “Gut Punch” and “911” tease a narrative arc of resilience, with “Seeing Ghosts” slotting in as the ghostly interlude that bridges the ache and the uplift. It’s his boldest pivot yet, fusing the pop-R&B hybrid of Spaceman with a soulful maturity that feels earned after years of Broadway runs and brotherly harmonies.
Slated for February 6, 2026, via Republic Records, Sunday Best is already building buzz through pre-saves on Spotify, where the pre-release page has fans queuing up for that midnight drop. Jonas has been teasing the rollout with intimate snippets and live-room vibes, hinting at “Seeing Ghosts” as a potential UK single—its Motown swagger tailor-made for those rainy London nights. And in a plot twist that’s got collaborators buzzing, he’s floated the idea of looping in RAYE for a remix, her smoky timbre adding even more fire to the track’s ethereal core. No full visuals yet, but expect a rollout laced with cinematic shorts that match the album’s reflective glow.
Now 33 and fresh off a Tony-nominated Broadway stint in The Last Five Years, Jonas is in full solo renaissance mode, shedding the Jonas Brothers’ shadow to experiment with sounds that bare his bones. Tracks like this one mark his growth from teen heartthrob to introspective auteur—less stadium anthems, more midnight soliloquies—proving why Sunday Best could redefine his discography alongside gems like Who I Am. It’s the sound of an artist who’s danced through the spotlight’s glare and emerged wiser, using music as both mirror and map. In a year stacked with comebacks, Jonas’s return feels like the one that’ll linger, a reminder that the best ghosts are the ones worth chasing.
What makes “Seeing Ghosts” pulse is its unapologetic intimacy—Jonas doesn’t just sing about love; he exorcises it, turning personal phantoms into universal hymns. As pre-release streams climb and fan theories swirl on whether RAYE’s verse will materialize, this cut stands as Sunday Best’s emotional north star, blending retro flair with raw revelation. It’s the kind of song that sneaks up on you, replaying in your mind long after the fade-out.
