Melanie Martinez returns with a chilling vengeance in “POSSESSION,” her first single since the transformative PORTALS era wrapped in 2023. Dropped suddenly on January 28, 2026, after a haunting Instagram teaser the day before, the track plunges listeners into the suffocating grip of a toxic relationship—where love twists into ownership, and the narrator becomes little more than a fragile object on a shelf. Produced by longtime collaborator CJ Baran, it’s classic Melanie: theatrical, darkly poetic, and laced with metaphors that linger long after the final note. For fans searching for POSSESSION lyrics by Melanie Martinez, this one cuts deep, blending vulnerability with a slow-burning rebellion.
| Lead Vocals | Melanie Martinez |
| Songwriter | Melanie Martinez |
| Music Producer | CJ Baran |
| Label | Atlantic Records |
| Release Date | January 28, 2026 |
| Song Language | English |
| Copyright © | Atlantic Records |
| Publisher | Artist Publishing Group & Very Alternative Music Publishing |
Lyrics of POSSESSION by Melanie Martinez
[Verse 1]
I Hit My Head Real Hard, I Woke Up In A Jar
On Top Of His Blue Metal Shelf Full Of Trinkets
He’d Dust Me Off Each Day, I’m Made Of Porcelain Clay
I Feed Him Kisses So I Don’t Break Down To Pieces
[Pre-Chorus]
And Now He’s Hungry, I’ll Feed Him Candy
You’re Screamin’ At Me Loud, Screamin’ At Me Loud, Screamin’ At Me Loud
[Chorus]
Baby, I’m Your Possession, Handle Me Like A Weapon
Gaslight Me Right, Tell Me, “Keep Quiet”
I’ll Go Along, Di-di-dum
Put Me Up Like A Prize, I’ll Be A Good Housewife
You Won’t See Me Cry When Women Come By
I’ll Go Along, Di-di-dum
[Post-Chorus]
Dum, Dum, Di-di-dum, Di-di-dum, Di-di-dum
Dum, Dum, Dum, Di-di-dum, Di-di-dum, Di-di-dum
Dum, Dum, Dum, Di-di-dum, Di-di, Dum, Di-di-dum
Dum, Dum, Dum, Di-di-dum, Di-di-dum, Di-di-dum
[Verse 2]
He Leaves Me All Alone, From Dusk To F**kin’ Dawn
I’ll Clean Up After All His Shit, I’m The Housekeeper
He Comes Home Drunk At Night, Of Course He Picks A Fight
I Try My Best To Bite My Tongue, But It Keeps Bleedin’
[Pre-Chorus]
How Could He Love Me If He Won’t See Me?
I’m Crying With A Knife, Wanna Take My Life, Never Treats Me Right
[Chorus]
Baby, I’m Your Possession, Handle Me Like A Weapon
Gaslight Me Right, Tell Me, “Keep Quiet”
I’ll Go Along, Di-di-dum
Put Me Up Like A Prize, I’ll Be A Good Housewife
You Won’t See Me Cry When Women Come By
I’ll Go Along, Di-di-dum
[Post-Chorus]
Dum, Dum, Di-di-dum, Di-di-dum, Di-di-dum
Dum, Dum, Dum, Di-di-dum, Di-di-dum, Di-di-dum
Dum, Dum, Dum, Di-di-dum, Di-di, Dum, Di-di-dum
Dum, Dum, Dum, Di-di-dum, Di-di-dum, Di-di-dum
[Outro]
Took The Keys And Left, Drove Into A Tree
Looked Around For A Minute, People Starin’ At Me
A Concussion Reversin’ All The Damage I Had
May Be Bruised, But It’s Not That Bad
About “POSSESSION by Melanie Martinez”
Melanie Martinez traps you inside a porcelain nightmare with “POSSESSION,” where sweet kisses mask screams and every “di-di-dum” feels like a plea disguised as submission—eerie, empowering, and utterly addictive.
The song’s sound is pure Melanie Martinez alchemy: whimsical yet menacing production with delicate piano tinkles giving way to brooding bass and distorted vocal layers that mirror the emotional whiplash. Themes of gaslighting, emotional abuse, and objectification dominate—lines about being dusted off like a trinket or playing the perfect housewife paint a vivid picture of possession as both literal and metaphorical cage. The mood shifts from resigned numbness to defiant awakening, especially in that explosive outro where freedom comes crashing in, quite literally. Baran’s touch keeps it intimate yet cinematic, amplifying Melanie’s signature alt-pop horror-fantasy vibe.
As the explosive lead single for HADES, her highly anticipated first-ever double album announced back in 2025, “POSSESSION” signals a bold, unfiltered chapter. Melanie has teased HADES as a descent into underworld depths—exploring rebirth, toxicity, and reclamation—building on PORTALS’ spiritual evolution but diving darker and more personal. This era promises duality in its double-album format, with one half reportedly lighter and the other plunging into shadow, and “POSSESSION” feels like the perfect gateway into that hellish romance narrative.
Released independently through Atlantic Records, the track exploded immediately upon arrival, with the official visualizer on YouTube racking up millions of views in days and sparking endless fan theories about the HADES rollout. The January 26 teaser—a cryptic clip of Melanie encased in glass—sent Crybabies into frenzy, confirming the end of the PORTALS mushroom motifs and the rise of something far more infernal. No full album date yet, but whispers point to a 2026 drop loaded with surprises.
At this stage in her career, Melanie is fearless—evolving from the dollhouse innocence of Cry Baby to the afterlife explorations of PORTALS, and now commanding her narrative with raw maturity. “POSSESSION” reflects that growth: unflinching in its portrayal of abuse while hinting at liberation, proving why she’s a generational voice for the misunderstood. In a discography rich with concept masterpieces, it stands out as one of her most visceral, turning personal pain into universal catharsis.
The outro’s car-crash epiphany—bruised but unbroken—feels like Melanie reclaiming agency, a theme that’s defined her journey from breakout artist to icon. As the HADES era ignites, “POSSESSION” isn’t just a comeback; it’s a declaration that she’s done being anyone’s trinket.
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