Deadman Lyrics – 蔡徐坤 (Cai Xu Kun) | from “KUN”

Cai Xu Kun loses himself completely in “Deadman,” a sultry R&B slow-burn where passion borders on fatal—smooth vocals gliding over hazy beats that make surrender sound irresistible.

The song thrives on its intimate, bedroom-ready vibe, blending soulful 1970s-inspired textures with modern production flair from Cai Xu Kun himself alongside Jacob Ray and Mark McKenna. Themes of adoration and obsession dominate—”I’m a dead man wrapped in your body next to my bones”—creating a mood that’s equal parts romantic and dangerously addictive. It’s understated yet powerful, letting breathy pleas and layered harmonies build tension without ever rushing, a perfect showcase for KUN’s evolving vocal maturity.

“Deadman” serves as a key pillar in KUN, Cai Xu Kun’s long-awaited self-titled album dropping February 6, 2026—his first full-length in five years after pouring two years into its creation. The project signals a fresh era, weaving personal evolution with broader appeal through English tracks and deeper sonic exploration. Including pre-released singles like “Deadman,” “Jasmine,” and “What a Day,” it captures an artist reclaiming his narrative on his terms, blending C-pop roots with global R&B sophistication.

With pre-orders live and anticipation at fever pitch, the album rollout has kept fans hooked through teasers and visuals that amplify its sensual, introspective core. Stream the single now on platforms like Spotify; the full KUN experience is just days away, promising 11 tracks of unfiltered artistry.

At this point in his career, Cai Xu Kun is in full renaissance mode—post-Idol Producer stardom, navigating highs and challenges, now channeling maturity into boundary-pushing music. “Deadman” highlights that growth: less idol polish, more raw sensuality, proving his versatility beyond Mandarin hits. In a discography marked by milestones like YOUNG and 迷 (Lost), it stands out as a gateway to his international ambitions, where vulnerability becomes his strongest flex.

What resonates most is how effortlessly KUN makes obsession feel romantic—lines begging for bad habits and screams wrapped in adoration. As KUN arrives, “Deadman” feels like the spark of something bigger, a declaration that he’s ready to conquer new territories, one soul-baring note at a time.