AY DIOS SANTO Lyrics – Lil Naay & Keyviem

Lil Naay is owning the end-of-year glow-up with THE MVP OF THE YEAR, his debut EP that landed fresh yesterday on December 25 via his own stamp, and AY DIOS SANTO with Keyviem is that cheeky trap anthem that sneaks up on you like a midnight craving you know you shouldn’t indulge.

This cut pulses at the heart of Puerto Rican-flavored trap, blending slinky reggaeton rhythms with hazy 808s and those sharp hi-hats that make your shoulders move without asking. OKEIFLOU handles the production, crafting a beat that’s all sultry tension—slow builds that drop into verses full of raw flex.

Thematically, it’s pure hedonistic escape: Lil Naay spits about hanging up the street life for something softer, only to get pulled back by a girl’s magnetic pull, while Keyviem jumps in with that bad-boy edge, promising late-night chaos and sativa-fueled highs. Lines like “Ese Culo ‘tá Grandote, Ay Dios Santo” mix holy exclamations with straight-up lust, flipping sin into a party. It’s got that unfiltered energy where desire wins over sense, all wrapped in bilingual bars that nod to their Dominican roots without overthinking it.

THE MVP OF THE YEAR packs six tracks into a tight victory lap, kicking off with the gritty “SALEN MALOS” featuring Yk It’s Junaa (produced by KOOKIES), sliding through collabs like “DANDOTE PILA DE AAW” with Slayter and “UNA BABY EN SANTIAGO,” before hitting “PRENDE,” this one with Keyviem, and closing on “MENOR NUNCA ROBES” alongside Fran King. The whole thing’s a collab-heavy showcase, pulling in voices from the Latin trap scene to map out street smarts, fleeting romances, and that relentless grind. No big overarching story—just Lil Naay staking his claim as the year’s standout, with beats that bounce between moody introspection and full-throttle vibes.

Lil Naay’s hitting his stride at 20-something, the Dominican trap kid who’s been stacking singles like “PA TRIPEA” and “MAMI” since breaking out a couple years back, turning bedroom flows into club staples. Teaming with Keyviem—another DR riser who’s all about that sharp, street-poet delivery—this EP feels like his handoff to the next level, swapping solo experiments for a crew that amplifies his voice. It’s less about reinvention and more about arrival, proving he’s not just in the game but running point.