Charli xcx has always had a knack for diving headfirst into worlds that feel both personal and wildly cinematic. With “Altars,” she steps into the stormy, obsessive heart of Wuthering Heights, turning Emily Brontë’s gothic moorlands into something that pulses with modern longing and dark romance. It’s part of her upcoming soundtrack album for Emerald Fennell’s film adaptation, where the moors meet hyperpop edges. Fans are already scouring for Altars lyrics by Charli XCX as the February 13, 2026 release creeps closer, hungry for how she’ll twist those timeless themes of passion and torment.
| Lead Vocals | Charli xcx |
| Songwriter | Charli xcx |
| Producer | [TBA] |
| Label | Atlantic Records |
| Release Date | February 13, 2026 |
| Song Language | English |
| Copyright © | Charli xcx & Atlantic Records |
| Phonographic Copyright ℗ | Charli xcx & Atlantic Records |
Lyrics of Altars by Charli xcx
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About “Altars by Charli xcx”
Charli builds these shadowy offerings on “Altars,” layering devotion and destruction into a sound that’s equal parts haunting and hypnotic, like a ritual set to flickering lights.
The song taps into the album’s core tension: love as torment, desire as destruction. Themes echo the Brontë classic—haunted moorland isolation, obsessive longing, the blur between presence and hallucination—but Charli twists it modern, with a voyeuristic edge she described as freeing after years in her own hyper-visible world. The mood is brooding and intense, gothic without being camp, laced with nostalgia that recalls her early True Romance days. Production, mostly handled with Finn Keane, leans into atmospheric builds: sparse synths, distant echoes, subtle industrial pulses that let the vocals haunt the space. It’s not the hyperpop frenzy of Brat; it’s restrained, almost suffocating, designed to sit alongside the film’s visuals rather than dominate a dance floor.
The track sits as the ninth cut on the 12-song project, carrying that unreleased mystery while fitting the album’s raw, wild vibe. Themes draw straight from the novel’s core: obsessive love, isolation, revenge, all wrapped in a sexual, tortured gothic lens that Charli calls out as British and unapologetically intense. The mood feels brooding yet electric, blending nostalgia from her early True Romance days with the experimental freedom she’s claimed post-Brat. Production, mostly handled by Finn Keane, keeps things atmospheric—think moody synths, sparse percussion, and vocal layers that echo like wind over the moors, less club-ready and more immersive storytelling.
Wuthering Heights isn’t your standard Charli album; it’s a companion piece to the film starring Margot Robbie and Jacob Elordi, existing as songs inspired by the script rather than straight score. Charli got the invite from Fennell back in late 2024, pitched the full album idea, and ran with it as a chance to play voyeur in someone else’s tortured world.
The concept celebrates artistic liberty—no touring plans, just pure creation tied to the movie’s release. Singles like “House” with John Cale, “Chains of Love,” and the surprise “Wall of Sound” have dropped already, building anticipation with their moody, narrative-driven sound. The full tracklist leaked via Charli’s Letterboxd review after the premiere, confirming collabs like Sky Ferreira on “Eyes of the World” and that DIY spirit shining through.
Right now, Charli’s riding high after Brat’s massive wave, Grammy buzz, and that remix album. At this stage, she’s leaning into bold swings—soundtracks, film ties, genre blends—that show her growth beyond club anthems. “Altars” fits as a quieter, more introspective moment in her discography, proof she can channel literary depth without losing her edge. It matters because it expands what a Charli project can be: not just party fuel, but something deeper, gothic, and free.
