As the new year kicks off with a pulse that’s equal parts island heat and global swagger, Rvssian has assembled a powerhouse crew for “What I Like,” a track that’s already lighting up dancefloors from Kingston to LA. This infectious collab drops you straight into the electric haze of a late-night club, where flirtatious glances turn into full-on anthems of desire and dominance.
Blending dancehall’s rhythmic swagger with Afrobeats flair and Tyga‘s slick West Coast edge, it’s the kind of earworm that has fans replaying the chorus on loop, debating who stole the show—Ayetian‘s raw Haitian fire or MOLIY‘s sultry hooks. Released just two days ago, it’s surging with that fresh-out-the-booth energy, pulling in over 50,000 YouTube views and sparking chatter across socials.
| Lead Vocals | MOLIY, Ayetian & Tyga |
| Songwriter | Andrew Green (Engineer), Kevin Thomas, Lucas Dila, Ayetian, Tyga, MOLIY, Dinay Beats & Rvssian |
| Music Producer | Rvssian, Lucas Dila & Dinay Beats |
| Video Director | Shane Creative |
| Label | Head Concussion Records |
| Release Date | January 9, 2026 |
| Song Language | English |
| Copyright © | Head Concussion Records |
Lyrics of What I Like by MOLIY, Ayetian & Tyga
[Intro]
Hehehe ,Ey Rvssian
You Know I Like What I, Like What I, Like What I
I See Girl Late In The Club Tonight
Pull Up A Stiff And Me Pass The Light
One Dem A Talk Say Mama Do Right
Dj So Heavy
He Then Make The Bad Girl Crazy
Inna Waist Girl Can Come Shade Me
Ya Man, Yeah, He Call Me Baby
Get Out, Hot Hot Lady Lover
Back Shot, Back Shot
That’s What You Ask For
Bam Bam, Tick Tick, Niamh Cassava
One Done, A Shot, I Pull A Jaws Off
Barsha, She Fi Blue Jaws
Fi Banana, Tata
Girl Girl, Where You Want Water?
Gaza, Yo Jimmy Buddy, Yo Sparta
Two Bam For Me Planteen And Me Hardback
Balance, Balance, Ya’ll Galang, Galang
Like Madans, Madangal
How Ya’ll Tired And Just After One?
Budati Fi Yap, Muthe Desa, Muthe Desa, Muthe [Chorus: MOLIY]
You Know I Like What I, Like What I, Like What I
I See Girl Late In The Club Tonight
Pull Up A Stiff And Me Pass The Light
One Dem A Talk Set My Body Right
Dj So Heavy
He Then Make The Bad Girl Crazy
Inna Waist Girl Can Come Shade Me
‘Cause A Man Here He Call Me Baby [Verse 2: MOLIY]
Pretty Face, Tight Toe, Pocket Top
Don’t Stop, Make It Clap
They Ain’t Realer Than Me
Inni Minni Mani Mo, Can’t Get Any Man, Women Want, ’cause They My Woman
Balance, Balance, Balance, Balance, Eh
Give You One Time Then You’ll Hook On Me, Eh
Galangalang, Galangalang Eh
Hands On Your Toes Means Goodbye Eh
Island Baddie And She Poppin For Daddy
And She Really Good At It And Her Dad Sittin’ Fatty
One More Time She Gon Get A Berk Baggie
I’ma Pull Up In The B And She Gon’ Give Me The Bitch Funani
Yeah, Kristen, Ashley, Bring Em In The Back Seat
Baby Lets Run It, Run It Like A Track Meet
Pennies On The Dash Every Gal Like Gettin’ Nasty
We Can Keep It Litty All Night, Don’t Ask Me
She A Top Five Freak On Her High
She Got Me Like, Oh Me, Oh My
She Wanna Eat, She Like Beash Me Live
She Gon’, Go, Go, Go, Said She Like What I Like [Chorus: MOLIY]
You Know I Like What I, Like What I, Like What I
I See Girl Late In The Club Tonight
Pull Up A Stiff And Me Pass The Light
One Dem A Talk Set My Body Right
Dj So Heavy
He Then Make The Bad Girl Crazy
Inna Waist Girl Can Come Shade Me
‘Cause A Man Here He Call Me Baby [Verse 4: MOLIY]
Boy You’re Too Much, You Just Can’t Get Me
Broke Pocket Mind, That’s Really My Peppy
When They Come Around If You Want Come Stress Me
Good Boy, Obey Your One To Deadly
[Outro: MOLIY]
You Like What I Like What I Like What I Like
About “What I Like by MOLIY, Ayetian & Tyga”
Rvssian flips the Recovery Riddim into a seductive slow-burn, where every bass drop feels like an invitation to move closer—pure, unfiltered chemistry in audio form.
Diving deeper, “What I Like” is all about that unapologetic chase: eyes locking across a crowded room, bodies syncing to the beat, and the thrill of knowing exactly what you want. The theme screams celebration of attraction without the games—think booming 808s layered over sparse, tropical synths that evoke sun-soaked nights and neon-lit escapades. Genre-wise, it’s a masterful fusion: dancehall’s riddim backbone drives the energy, Afrobeats infuses the groove with MOLIY’s melodic bounce, Ayetian brings gritty patois-laced verses that nod to Caribbean street poetry, and Tyga seals it with his signature bravado, turning flexes into flirtation. Production shines through Rvssian’s wizardry alongside Lucas Dila and Dinay Beats, keeping it tight and replayable, with those heavy DJ drops that make the whole room lean in.
Tied to the Recovery Riddim—a nod to dancehall’s resilient spirit—this single arrives via Head Concussion Records, Rvssian’s own imprint that’s become a launchpad for cross-cultural bangers. No full album drop yet, but the visual, directed by Shane Creative, captures that raw, cinematic vibe: vibrant club scenes, quick-cut choreography, and cameos that scream international takeover. It hit streaming platforms on January 9, 2026, with Spotify pre-saves spiking ahead of the buzz, and early X posts from fans in Ghana, Haiti, and beyond calling it “the remix we didn’t know we needed” after MOLIY’s Billboard-climbing “Shake It To The Max.”
For Rvssian, the Jamaican hitmaker behind smashes like Drake’s “Controlla,” this marks another chapter in his borderless empire-building, experimenting with Afrobeats and rap to push dancehall further mainstream. MOLIY, fresh off her viral ascent, flexes her versatility here, evolving from solo siren to collab queen with verses that balance vulnerability and venom. Ayetian’s debut on this scale injects authentic Haitian kompa influences, a growth move that’s got cultural commentators buzzing about rising voices from the diaspora. And Tyga? The rap vet, who’s navigated hip-hop’s highs and lows, uses his slot to remind everyone he’s still the king of crossover appeal—think his “Taste” era, but with a riddim twist. In their discographies, “What I Like” stands as a milestone: Rvssian’s most genre-fluid yet, MOLIY’s ticket to global playlists, Ayetian’s breakout flex, and Tyga’s nod to rootsy reinvention.
What elevates it beyond a club filler is the seamless handoffs—each artist building on the last, creating a narrative arc from tease to takeover. As Recovery Riddim rolls out more cuts, this one’s poised to dominate winter playlists, bridging divides with its universal hook: desire doesn’t need translation. Early metrics show it’s climbing charts in Jamaica and the UK, with Instagram reels already turning the chorus into a dance challenge. In a year hungry for feel-good fusion, Rvssian and crew deliver the spark.
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